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In July 1979, Saddam Hussein became the President of Iraq. His dictum was simply expressed―power through terror. During the first decade of his presidency, Saddam engaged in three wars: the Iran-Iraq War, the invasion of Kuwait, and the Gulf War of 1991. After September 11th, the war on terrorism led to the war against Iraq that began in March 2003 and the eventual capture of Sadddam Hussein effecitively ending his rule over the Iraqi people. On April 9, 2003, a handful of U.S. Marines helped a small crowd of Iraqis gathered in Firdos Square to tear down a statue of Saddam Hussein. Since his capture, Saddam has been transferred to Iraqi legal custody and awaits his trial for atrocities committed during his regime.This biography details Saddam's difficult childhood in Tikrit and his politically influential teenage years in Baghdad with his uncle. His involvement with the Iraqi Ba'ath Party led to his participation in an assassination attempt on then Prime Minister Qassem. In his early political life, Saddam retained the lessons of village life learned in his difficult Tikrit childhood, but they would become enmeshed with his discovery of Ba'athism and pan-Arabism. Once he became President of Iraq, Saddam often ruled with force and a carefully cultivated image throughout the use of visual imagery and books. Though Saddam no longer rules Iraq, the legacy of his reign will likely shape Iraqi history for years to come.

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At the outset of the 1991 Gulf War, US leaders resolved that "Iraqis will pay the price", so long as Saddam Hussein remained in power. This book makes chillingly clear just how terrible that price has been. Eleven years ago Saddam was caught by surprise by the allied attack; his preparations since September 11 show that lessons have been learnt. In a substantial new prologue the authors analyse Saddam's preparations and the terrifying consequences of a military invasion of Iraq.

Said K. Aburish presents an authoritative and timely book that explains the man the Western world fears the most. Drawing on the author's knowledge of and contacts with the Arab world, especially in Iraq, Said Aburish gives us an accurate, compelling biography and psychological profile of the man the western world fears most. The author worked with Saddam Hussein in the 1970s and is therefore able to add dimension and personal experience to our understanding of this remarkable dictator. The book includes an account of Saddam's series of personal quests: for recognition after being orphaned and brought up by a destitute uncle; for control of his country; for leadership in the Arab world; for mastery in the technology of destruction.This is the frightening story of how the man who, with the encouragement of Western governments, made his country the most advanced in the Arab world in the 1970s, and through personal ambition led it to disaster at the end of the 1980s, and now fights for its survival. Aburish's personal experience and exclusive inside sources make this an important, unique and necessary look at one of the most terrifying leaders in the world today.

The Ba'th Party came to power in 1968 and remained for thirty-five years, until the 2003 U.S. invasion. Under the leadership of Saddam Hussein, who became president of Iraq in 1979, a powerful authoritarian regime was created based on a system of violence and an extraordinary surveillance network, as well as reward schemes and incentives for supporters of the party. The true horrors of this regime have been exposed for the first time through a massive archive of government documents captured by the United States after the fall of Saddam Hussein. It is these documents that form the basis of this extraordinarily revealing book and that have been translated and analyzed by Joseph Sassoon, an Iraqi-born scholar and seasoned commentator on the Middle East. They uncover the secrets of the innermost workings of Hussein's Revolutionary Command Council, how the party was structured, how it operated via its network of informers, and how the system of rewards functioned. Saddam Hussein's authority was dominant. His decision was final, whether arbitrating the promotion of a junior official or the death of a rival or a member of his family. As this gripping portrayal of Saddam Hussein's Iraq demonstrates, the regime was every bit as authoritarian and brutal as Stalin's Soviet Union or Mao's China and some of the regimes in the Arab world who are witnessing upheavals, are not not dissimilar from the Ba`th regime.

In 2003, after returning from a monthlong stay in Baghdad, American artist Paul Chan was given a gift from a colleague in the human-rights group Voices of the Wilderness: a copy of three speeches on democracy written by Saddam Hussein in the 1970s, before he became president of Iraq. The speeches, compiled here for the first time in English, are politically perverse, yet eerily familiar. The then vice president of Iraq characterizes social democracy as demanding authority, and defines free will as the patriotic duty to uphold the good of the state. This volume takes the speeches as an opportunity to ask what democracy means from the standpoint of a notorious political figure who was anything but democratic, and to reflect on how promises of freedom and security can mask the reality of repressive regimes. With drawings by Paul Chan, including a new suite in its entirety, and essays by Bidoun’s Negar Azimi, philosopher and artist Nickolas Calabrese and journalist Jeff Severns Guntzel, this book is the inaugural copublication of the Deste Foundation for Contemporary Art and Chan’s own Badlands Unlimited.

Examines the historical background of the Gulf Crisis, describes the tactical considerations, and suggests five possible military options

Samuel Helfont draws on extensive research with Ba'thist archives to investigate the roots of the religious insurgencies that erupted in Iraq following the American-led invasion in 2003. In looking at Saddam Hussein's policies in the 1990s, many have interpreted his support for state-sponsored religion as evidence of a dramatic shift away from Arab nationalism toward political Islam. While Islam did play a greater role in the regime's symbols and Saddam's statements in the 1990s than it had in earlier decades, the regime's internal documents challenge this theory. The "Faith Campaign" Saddam launched during this period was the culmination of a plan to use religion for political ends, begun upon his assumption of the Iraqi presidency in 1979. At this time, Saddam began constructing the institutional capacity to control and monitor Iraqi religious institutions. The resulting authoritarian structures allowed him to employ Islamic symbols and rhetoric in public policy, but in a controlled manner. Saddam ultimately promoted a Ba'thist interpretation of religion that subordinated it to Arab nationalism, rather than depicting it as an independent or primary political identity.The point of this examination of Iraqi history, other than to correct the current understanding of Saddam Hussein's political use of religion throughout his presidency, is to examine how Saddam's controlled use of religion was dismantled during the US-Iraq war, and consequently set free extremists that were suppressed under his regime. When the American-led invasion destroyed the regime's authoritarian structures, it unwittingly unhinged the forces that these structures were designed to contain, creating an atmosphere infused with religion, but lacking the checks provided by the former regime. Groups such as the Sadrists, al-Qaida, and eventually the Islamic State emerged out of this context to unleash the insurgencies that have plagued post-2003 Iraq.

Samuel Helfont draws on extensive research with Ba'thist archives to investigate the roots of the religious insurgencies that erupted in Iraq following the American-led invasion in 2003. In looking at Saddam Hussein's policies in the 1990s, many have interpreted his support for state-sponsored religion as evidence of a dramatic shift away from Arab nationalism toward political Islam. While Islam did play a greater role in the regime's symbols and Saddam's statements in the 1990s than it had in earlier decades, the regime's internal documents challenge this theory. The "Faith Campaign" Saddam launched during this period was the culmination of a plan to use religion for political ends, begun upon his assumption of the Iraqi presidency in 1979. At this time, Saddam began constructing the institutional capacity to control and monitor Iraqi religious institutions. The resulting authoritarian structures allowed him to employ Islamic symbols and rhetoric in public policy, but in a controlled manner. Saddam ultimately promoted a Ba'thist interpretation of religion that subordinated it to Arab nationalism, rather than depicting it as an independent or primary political identity.The point of this examination of Iraqi history, other than to correct the current understanding of Saddam Hussein's political use of religion throughout his presidency, is to examine how Saddam's controlled use of religion was dismantled during the US-Iraq war, and consequently set free extremists that were suppressed under his regime. When the American-led invasion destroyed the regime's authoritarian structures, it unwittingly unhinged the forces that these structures were designed to contain, creating an atmosphere infused with religion, but lacking the checks provided by the former regime. Groups such as the Sadrists, al-Qaida, and eventually the Islamic State emerged out of this context to unleash the insurgencies that have plagued post-2003 Iraq.

Events in this story of the "Mother of All Battles," as Saddam designated the 1991 war, are drawn from primary Iraqi sources, including government documents, video and audiotapes, maps, and photographs captured by U.S. forces in 2003 from the regime's archives and never intended for outsiders' eyes. The book is part of an official U.S. Joint Forces Command research project to examine contemporary warfare from the point of view of the adversary's archives and senior leader interviews. Its purpose is to stimulate thoughtful analyses of currently accepted lessons of the first Gulf War. While not a comprehensive history, the author's balanced Iraqi perspective of events between 1990 and 1991 takes full advantage of his unique access to material. The result is a completely unknown but fully documented view from the other side.

A digital copy of "Saddam Hussein's Ba'th Party" by Sassoon. Download is immediately available upon purchase!

WHAT IS IT ABOUT? Zabiba and the King is an allegorical love story between a mighty king (Saddam) and a simple, yet beautiful commoner named Zabiba (the Iraqi people). Zabiba is married to a cruel and unloving husband (the United States) who forces himself upon her against her will. This act of rape is compared to the United States invasion of Iraq. DOES SADDAM HUSSEIN RECEIVE ANY MONEY FOR THIS BOOK? Not a dime. The translation is owned by the editor. WHY TRANSLATE THIS BOOK? The editor, an American businessman, had the book translated into English to satisfy his own curiosity. He also felt it would be interesting and a beneficial tool for the curious, the patriotic, the educator, the historian, etc., as well as for the friends and families of servicemen serving in Iraq. The publisher, a strong supporter of U.S. troops, felt the book was an interesting read. While the allegory is controversial and, at times, unsettling, it gives the reader an opportunity to "play detective" and attempt to decipher any hidden meanings. WHAT IS THE SETTING? The stomping grounds of a young Saddam Hussein near Tikrit, Iraq. WHAT IS THE TIME PERIOD? The era of the story is the mid-600's to early 700's A.D., due to the clue the main character, Zabiba, is a devout follower of Islam, yet the king still worships the idols of his forefathers and is ignorant of some of the fundamental traditions of the Islamic faith. DID SADDAM HUSSEIN REALLY WRITE THE NOVEL? While it is no secret that the release of this book in Arabic was an overnight best seller in Iraq and even became an on-stage musical production in Baghdad, the book promotes the establishment of a quasi-democratic form of government that the editor and others believe would not have been allowed to be published in Iraq unless Saddam were intimately involved in its creation. Many Iraqis firmly believe it was penned by Saddam Hussein.

In Western Europe and North America the idea that war can deliberately be used as an 'instrument of policy' has become unfashionable, not least because of the carnage of two World Wars and the Americans' humiliating experience in Vietnam. But wars are still fought. Those who start wars clearly believe they are worthwhile. Why? In this original study, Brian Bond discusses the successes and failures of military and political leaders in their pursuit of victory over the last two centuries.Professor Bond argues that in order to be counted victorious, a leader has to progress beyond military triumph to preserve the political control needed to secure an advantageous and enduring peace settlement. Napoleon was a brilliant general, but failed as a statesman. Bismarck, on the other hand, was a success in skilfully exploiting Moltlike's victories on the battlefield to create a unified Germany. In the First World War, Germany and her allies were defeated but at such great cost that confidence in the idea that war could be controlled, and the pursuit of victory made rational, received a terrible shock. Germany and Japan exploited their military opportunities between 1939 and 1942, but lack of political control and moderation brought them catastrophic defeat. After 1945, nuclear weapons and the increased complexity of international relations blurred the identity of 'victors' and 'losers' and seemed to make the idea of a 'decisive' victory almost unthinkable. But this study warns against the assumption that war as an instrument of policy has now been completely discarded. The Falklands and Gulf conflicts show that aggressors are still prepared to risk war for tangible goals, and that their opponents are quite capable of responding successfully to such challenges.

A digital copy of "Compulsion In Religion: Saddam Hussein, Islam, And The Roots Of Insurge" by Helfont. Download is immediately available upon purchase!

Events in this story of the "Mother of All Battles," as Saddam designated the 1991 war, are drawn from primary Iraqi sources, including government documents, video and audiotapes, maps, and photographs captured by U.S. forces in 2003 from the regime's archives and never intended for outsiders' eyes. The book is part of an official U.S. Joint Forces Command research project to examine contemporary warfare from the point of view of the adversary's archives and senior leader interviews. Its purpose is to stimulate thoughtful analyses of currently accepted lessons of the first Gulf War. While not a comprehensive history, the author's balanced Iraqi perspective of events between 1990 and 1991 takes full advantage of his unique access to material. The result is a completely unknown but fully documented view from the other side.

In Baghdad, an enormous monument nearly twice the size of the Arc de Triomphe towers over the city. Two huge forearms emerge from the ground, clutching two swords that clash overhead. Those arms are enlarged casts of those of Saddam Hussein, showing every bump and follicle. The "Victory Arch" celebrates a victory over Iran (in their 8-year long war) that never happened. The Monument is a study of the interplay between art and politics, of how culture, normally an unquestioned good, can play into the hands of power with devastating effects. Kanan Makiya uses the culture invented by Saddam Hussein as a window into the nature of totalitarianism and shows how art can become the weapon of dictatorship.

Debriefing the President presents an astounding, candid portrait of one of our era’s most notorious strongmen. John Nixon, the first man to conduct a prolonged interrogation of Hussein after his capture, offers expert insight into the history and mind of America’s most enigmatic enemy. In December 2003, after one of the largest, most aggressive manhunts in history, US military forces captured Iraqi president Saddam Hussein near his hometown of Tikrit. Beset by body-double rumors and false alarms during a nine-month search, the Bush administration needed positive identification of the prisoner before it could make the announcement that would rocket around the world.At the time, John Nixon was a senior CIA leadership analyst who had spent years studying the Iraqi dictator. Called upon to make the official ID, Nixon looked for telltale scars and tribal tattoos and asked Hussein a list of questions only he could answer. The man was indeed Saddam Hussein, but as Nixon learned in the ensuing weeks, both he and America had greatly misunderstood just who Saddam Hussein really was.After years of parsing Hussein’s leadership from afar, Nixon faithfully recounts his debriefing sessions and subsequently strips away the mythology surrounding an equally brutal and complex man. His account is not an apology, but a sobering examination of how preconceived ideas led Washington policymakers—and the Bush White House—astray. Unflinching and unprecedented, Debriefing the President exposes a fundamental misreading of one of the modern world’s most central figures and presents a new narrative that boldly counters the received account.

A digital copy of "Saddam Hussein's Ba'th Party" by Sassoon. Download is immediately available upon purchase!

Text clean and tight; Peace And Conflict; 8vo 8" - 9" tall; 256 pages

A digital copy of "Saddam Hussein's Ba'th Party" by Sassoon. Download is immediately available upon purchase!